Friday, February 25, 2011

Vin Diesel's 1st film about acting [VIDEO]

I read about this film, Multi-Facial (1994), years ago after becoming a fan of Diesel's after the seeing him in Pitch Black (2000, pictured left). The 20 minute short film was produced by and starring Vin Diesel. I have never seen the film until seeing it posted on the website Shadow & Act.
The story depicts the professional and emotional issues faced by Mike (Diesel), a multiracial (Italian and African American) actor. The film was noticed by director Steven Spielberg, who would cast Diesel in Saving Private Ryan (1998).-Wikipedia
Watch the whole film below.

Tuesday, February 22, 2011

R.I.P. Dwayne McDuffie

Dwayne McDuffie’s death shocks comics industry
Feb. 22, 2011 | 3:08 p.m.

Sad and shocking news from the comics world today as word spread about the untimely death of Dwayne McDuffie on the same day that “All Star Superman” – which he wrote the screenplay for — arrived on home video.

Dwayne McDuffie (pictured above left), who wrote scores of comic books for Marvel and DC and founded his own publishing company before crossing over to television and animation, has died. He was 49.

DC Comics says the Detroit native died Monday, a day after his birthday. His cause and place of death weren’t immediately known.

McDuffie wrote comics for the New York-based DC and Marvel, including runs on “Batman: Legends of the Dark Knight,” “Fantastic Four” and the “Justice League of America.” He also penned several animated features, including the just-released “All Star Superman” as well as “Justice League: Crisis on Two Earths” and the animated TV series “Static Shock” and “Ben 10: Alien Force.”

News of McDuffie’s death was first reported Tuesday by the website Comic Book Resources. As recently as last week, McDuffie attended the premieres of the new “All Star Superman” film in Los Angeles and New York, and was scheduled to appear at an event this week at Golden Apple Comics in Los Angeles.

McDuffie tweeted last week that he was “Taking a break from a script I owe to attend the LA premiere of ‘All Star Superman.’”

McDuffie’s work for Marvel included “Damage Control,” which took a serious but fictional look at a company whose job it was to clean up the damage — both physical and legal — resulting from battles between superheroes and supervillains. In 1992, however, he formed the comic book company Milestone Media, which gave him the freedom and leeway to create his own characters, many of whom were of differing ethnic backgrounds.

Milestone Media focused on multicultural superheroes including Hardware, Icon, Blood Syndicate, Xombi and Static, which was turned into the popular children’s cartoon “Static Shock,” on which he served as a story editor. McDuffie also wrote for other titles and characters, including Black Panther and Deathlok.
Milestone comics
Besides comics, McDuffie was a producer and story editor on Cartoon Network’s “Justice League Unlimited,” and wrote and produced episodes of other cartoons, including “What’s New, Scooby Doo?,” “Ben 10: Ultimate Alien” and “Teen Titans.”

McDuffie was nominated for two Emmy Awards for “Static Shock,” a Writers Guild award for “Justice League” and three Eisner awards for his work in comic books, his website said.

McDuffie’s death took his colleagues and friends by surprise.

Dan DiDio, co-publisher of DC Entertainment, said the writer “left a lasting legacy on the world of comics that many writers can only aspire to. He will not only be remembered as an extremely gifted writer whose scripts have been realized as comic books, in television shows and on the silver screen, but as the creator or co-create of so many of the much-loved Milestone characters, including Static Shock.”

Added DiDio: “The industry has lost a true talent.”

Tom Brevoort, Marvel’s senior vice president for publishing, said McDuffie was a force behind bringing more diversity into comics.

“He was very interested in creating a wider range of multiculturalism in comics, having been profoundly affected by the example of the Black Panther when he was growing up, and wanting to give that same opportunity to others of all races, creeds and religions, which is one of the reasons he left Marvel and co-founded Milestone,” Brevoort told The Associated Press. “And he eventually came back to write both Beyond! and Fantastic Four for me.”

– Associated Press

_____________________________________________________

I’ve been a fan of Mr. McDuffie’s for a while. I was one of the people who bought the early issues of Milestone comics. I was still reading comics and I was excited about this new company by black people and featuring black characters. I even did a paper/presentation in college on the company.

When I saw that one of the comics Static was being produced as a cartoon Static Shock, I watched it. As I spoke about in my Verb piece  I always enjoyed seeing cartoon characters that looked like me. I didn’t have brown palms like they did, but I wasn’t picky. Ever since I started studying film I also started reading the credits for television/film. Credit reading, I noticed Mr. McDuffie’s name as have written a lot of great episodes of not only Static Shock, but another great show that I watched Justice League. He was also the writer of the BEST animated action movies I’ve ever seen Justice League: Crisis on Two Earths (2010) and that was mostly because of the great story. (I named it one of the best films of 2010 in my Entertainment Review here  )

His stories weren’t about race or favoring a particular character they were just good stories. He explains himself in one of the clips below about how that is a misperception among black writers and he says it better than I ever could.

As the title of the article above says, his death shocked the industry, but it also shocked this fan. His talent will be missed. Rest in Peace bro.

-Dankwa Brooks

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Below are two excerpts from the documentary Shaft or Sidney Poiteir: Black Masculinity in Comic Books featuring Dwayne McDuffie.

About the film-
Through interviews with prominent artists, scholars and cultural critics along with images from the comic books themselves, this film examines the degree to which early Black superheroes generally adhered to common stereotypes about Black men. From the humorous, to the offensive, early Black superheroes are critically considered.






A cool tribute featuring footage of McDuffie and many of the characters he help give "voice" to.



Related links-

Shaft or Sidney Poiteir: Black Masculinity in Comic Books
http://blacksuperherodoc.com/

2011 article about Milestone Comics

Milestone Media's Wikipedia page
Wikipedia - Milestone Media

A cool site devoted to every issue put out by Milestone Comics
Milestone Rave

Dwayne McDuffie's official website
http://dwaynemcduffie.com/

Ocober 19, 2011
The site Shadow & Act posted Website Of Emmy Award-Winning Writer Dwayne McDuffie (1962 - 2011) To See Changes read it here



Wednesday, February 16, 2011

Sunday, January 9, 2011

Look out for the new film 'Mooz-lum'


Looks like it could be a good movie dealing with the African American muslim movement.



An interview with the director Qasim Basir.


Vote to bring this to your town or your college at
at the link here

Mooz-lum exceeds box office expectations

By Sergio, on February 15th, 2011
Shadow & Act

It’s always good news when a good and worthy black film does well at the box office. So it was great news when it was announced earlier today, that Qasim Basir’s film Mooz-lum did better than expected at the box office this past weekend.

Opening in limited release in ten cities, on 11 AMC Theater screens, the film earned an excellent $12,712 per screen, making it one of the highest per screen averages in the country. That’s better than this weekend’s top two films, Just Go With It, and Justin Bieber: Never Say Never, which averaged $8,601 and $9,505 per screen respectfully.

Not surprisingly, the film will open in five more AMC theaters in Columbus Ohio, Elizabeth NJ, Minneapolis, Phoenix and Seattle, and adding another screen in Atlanta.

According to AMC: “the rate at which movie-goers packed the theaters to see Mooz-lum proved the film’s viral marketing approach – drawing heavily on Eventful Demand it!, Facebook and Twitter along with word-of-mouth promotion and targeted public relations – is working.”

Hey can you think of any better news?

Monday, December 6, 2010

Our favorite commericials

Check out some of our favorite television spots better known as commercials.

Friday, December 3, 2010

Add Verb!

This is a quick blog about a Black superhero I have an affinity for.

Back in the Brooklyn in the 70’s (yeah I’m that old) there weren’t any Black cartoon characters really and DEFINITELY Black superheroes. SchoolHouse Rock! was also in heavy rotation during Saturday morning cartoons (remember them?) and it was always great see this cat who looked like me and with such a catchy tune to boot.

I even designed a “vanity logo” based on homeboy for our company below



UPDATE: MARCH 2013






Wednesday, December 1, 2010

Coming Soon-Two films to See!

I’ve been involved with the MFF (Maryland Film Festival) for 5 years so far. Three years of those years I was also a volunteer (that’s me as “Line Captain” to the left at the festival). I try to see all of the black films I’m interested in. Not every film I see is great and here is a list of them:


Ok there is no list. I will never do that to another filmmaker for I know what hard work it is to put together a film and no matter how crappy it is, I have to give them props for finishing the film.

I do come across some very good/excellent films and this year was a banner year. I want everyone to look out for these two films:

My tickets stubs from the films 'Freedom Riders' and 'Night Catches Us'.
First I want to talk about the wonderful Night Catches Us

Here is their trailer-


About the film:
In 1976, after years of mysterious absence, Marcus (Anthony Mackie, “The Hurt Locker”) returns to the Philadelphia neighborhood where he came of age in the midst of the Black Power movement. While his arrival raises suspicion among his family and former neighbors, he finds acceptance from his old friend Patricia (Kerry Washington, “Ray,” “Lift”) and her daughter. However, Marcus quickly finds himself at odds with the organization he once embraced, whose members suspect he orchestrated the slaying of their former comrade-in-arms. In a startling sequence of events, Marcus must protect a secret that could shatter everyone's beliefs as he rediscovers his forbidden passion for Patricia.-Night Catches Us, official website
The film directed by Tanya Hamilton, distributed by Magnolia Pictures is available NOW on iTunes and OnDemand is scheduled to hit theaters December 3, 2010. I encourage you to check it out on any of those platforms.

About the stars:
I’ve been a fan of Anthony Mackie since I saw him play the lead in She Hate Me (2004). While the film wasn’t that great his performance was great and I could see he was a great talent. He has since starred in a ton of films like Notorious (2009) where he played Tupac Shakur and the Best Picture Oscar winners Million Dollar Baby (2004) and The Hurt Locker (2009). I think he is one of the next big black stars in Hollywood.

Another next big black star is the fantastic Kerry Washington. Kerry Washington also starred in a ton films including Ray (2004), The Last King of Scotland (2006), and the recent For Colored Girls. I’ve seen her in a lot of different films and Kerry is one of the BEST African American female actors in Hollywood.

Update-February 2011 Kerry Washington  has signed on to headline Shonda Rhimes' (Grey's Anatomy, Private Practice) drama pilot for ABC titled Scandal. Read more about it here

Based on what I described above is why I went to see this film. I really liked it and I think the director Tanya Hamilton did a fantastic job WITHOUT monitors or storyboards. (Filmmakers will know what I’m talking about.)

As usual for the Maryland Film Festival, after the film, there was a Q & A with someone/people from the film to talk about the film. At this Q & A was the director Tanya Hamilton and one of the co-stars Wendell Pierce. Pierce also starred in a ton of films, but is most famous for playing “Bunk” on The Wire. You can see my cell phone pic below. I know you can’t really tell, but it’s them. LOL.

Left to right: Co-star Wendell Pierce and Director Tanya Hamilton during the Q & A for 'Night Catches Us'

2013 UPDATE
New better photo from that night. LOL
Left to right: Co-star Wendell Pierce and Director Tanya Hamilton and MFF Executive Director Jed Dietz during the Q & A for 'Night Catches Us'
I found out Ms. Hamilton was a director much like myself, a person of few words in front of crowds. Wendell Pierce stepped in like the acTOR he is and “emceed” the Q & A. During this Q & A is where I found out that Ms. Hamilton directed this film without monitors and storyboards. (Again filmmakers will know what I’m talking about.)

After the Q & A I got a chance to meet Ms. Hamilton and Mr. Pierce. They both were very cool and Wendell Pierce was really cool. Of course I told him I was a filmmaker and he remarked “Maybe we’ll get a chance to work together”. Your lips to God’s ears bro.

UPDATE: Night Catches Us was released to DVD on February 1, 2011.
You can go to Night Catches Us official website below-

 http://www.nightcatchesus.com/


January 2010
Night Catches Us Producer Ron Simons Blogs From Sundance



Last, but definitely not least, I want to talk about the excellent Freedom Riders
Here is their trailer-



FREEDOM RIDERS is the powerful harrowing and ultimately inspirational story of six months in 1961 that changed America forever. From May until November 1961, more than 400 black and white Americans risked their lives—and many endured savage beatings and imprisonment—for simply traveling together on buses and trains as they journeyed through the Deep South. Deliberately violating Jim Crow laws, the Freedom Riders met with bitter racism and mob violence along the way, sorely testing their belief in nonviolent activism.

From award-winning filmmaker Stanley Nelson (Wounded Knee, Jonestown: The Life and Death of Peoples Temple, The Murder of Emmett Till) FREEDOM RIDERS features testimony from a fascinating cast of central characters: the Riders themselves, state and federal government officials, and journalists who witnessed the Rides firsthand.-Freedom Riders, official website
Of the movies I see at the MFF, most of them are African American (narrative) films and documentaries. These films always range from bad, good, very good and excellent. Most of the documentaries I see are good, but toooo looong. They start off good, end off good, but lose something in the middle. If they shaved 45 minutes out of the middle they would be great. Freedom Riders avoids all of those pitfalls.


The official website’s description “powerful harrowing and ultimately inspirational story” is absolutely right. I was interested, but did not know what a powerful experience this would be. I’ve heard and seen footage all my life about the civil rights movement, yet this was a story I never heard of before. The absolute CRAP the “riders” had to go through was shocking, yet then it wasn’t. I’m never surprised at the depths of depravity that racism would stoop to. What shocked me was my visceral reaction to the amazing real footage and interviews with most of the Riders.

Excellent work by the filmmaker Stanley Nelson and makes me want to check out his other work. I urge EVERYONE to check out this film!

Freedom Riders, a production of American Experience, Premieres on PBS May 16, 2011.

Check out their PBS webpage-
http://www.pbs.org/wgbh/americanexperience/freedomriders/

Check out their Wikipedia page-
http://en.wikipedia.org/wiki/Freedom_Rides


UPDATE: September 12, 2011
Freedom Riders wins Multiple Emmys! Read about it here